Synopsis:
For this - one of the first films to deal with the experiences of
Vietnam vets returning home - Grigsby travelled to smalltown Texas,
far from the liberal coastal areas where the anti-war
demonstrations were taking place, and spoke to three men who had
recently returned. The film is quietly sympathetic toward these
men, reflecting in its gaps the difficulty they have articulating
their experiences; the eloquent silences and landscapes are true
markers of Grigsby's style.
He said of his experiences finding these men for the film: "I
banged on the door and told the guy there what I was doing and he
looked at me like I was a madman, and he said, 'you're the first
person who's showed any interest in me at all'."
Synopsis:
For this - one of the first films to deal with the experiences of
Vietnam vets returning home - Grigsby travelled to smalltown Texas,
far from the liberal coastal areas where the anti-war
demonstrations were taking place, and spoke to three men who had
recently returned. The film is quietly sympathetic toward these
men, reflecting in its gaps the difficulty they have articulating
their experiences; the eloquent silences and landscapes are true
markers of Grigsby's style.
He said of his experiences finding these men for the film: "I
banged on the door and told the guy there what I was doing and he
looked at me like I was a madman, and he said, 'you're the first
person who's showed any interest in me at all'."