Synopsis:
A programme in the Special Inquiry series, a BBC- documentary
series (1952-1957), which concerned itself primarily with
investigation into contemporary social issues. It was the first
full-length BBC documentary about race relations in Britain,
investigating racial prejudice against immigrants, using the city
of Birmingham as an example. Like all of the Special Enquiry
programmes, it consisted of interview sequences and a filmed report
by an on-location investigative reporter, in this case, Rene
Cutforth. The series had something of the feel of an "access
programme" becuase of its interviews, which were often presented as
direct-to-camera testimony. This was in fact the convention
at the time and linked it back to the precedent of direct
address by ordinary people in the 1930s "classic" Housing Problems.
The frankness with which racial prejudice was revealed in the
speech of some of the participants, including trade union
officials, caused extensive public discussion in this "colour bar"
edition. Also included was a powerful, partly dramatized, scene in
which a newly arrived immigrant looked for lodgings, to be
repeatedly turned away by landladies, sometimes with the reason
made perfectly clear. The Daily Express at the time thought the
programme to be "one of the most outspoken...ever screened."
Synopsis:
A programme in the Special Inquiry series, a BBC- documentary
series (1952-1957), which concerned itself primarily with
investigation into contemporary social issues. It was the first
full-length BBC documentary about race relations in Britain,
investigating racial prejudice against immigrants, using the city
of Birmingham as an example. Like all of the Special Enquiry
programmes, it consisted of interview sequences and a filmed report
by an on-location investigative reporter, in this case, Rene
Cutforth. The series had something of the feel of an "access
programme" becuase of its interviews, which were often presented as
direct-to-camera testimony. This was in fact the convention
at the time and linked it back to the precedent of direct
address by ordinary people in the 1930s "classic" Housing Problems.
The frankness with which racial prejudice was revealed in the
speech of some of the participants, including trade union
officials, caused extensive public discussion in this "colour bar"
edition. Also included was a powerful, partly dramatized, scene in
which a newly arrived immigrant looked for lodgings, to be
repeatedly turned away by landladies, sometimes with the reason
made perfectly clear. The Daily Express at the time thought the
programme to be "one of the most outspoken...ever screened."