Synopsis:
Five documentaries set in and around the ancient East Sussex
village of Ditchling, home to the Series Director Luke Holland.
Ditchling, the archetypal Downland village, just a few miles from
the Sussex coast sees its traditional architecture of brick, flint
and hanging tile, matched by more contemporary materials, as new
buildings re-define Ditchling's ancient boundaries and large
gardens are given over to new housing. The tensions provoked by the
pressures of development are palpable. With a population of just
1600, the village boasts no fewer than 44 societies - including the
world's oldest village horticultural society and a very active film
society. These five films for BBC's Storyville strand take us
beyond the postcard gloss of England's rural idyll.
Going for the Kill,
90mins
Filmed over two years, this is a dramatic, first-person account of
how one family struggles to cope with economic forces they barely
comprehend and over which they have no control. Remarkable access
to the invariably closed and wary hunting fraternity, offers an
unusually frank account of the very traditional English sport of
fox hunting. It tells the inside story of Gary Lee's final season,
offering a graphic account of the hunt and asking whether the law
is not too blunt an instrument with which to curtail a minority
activity that features no more cruelty than is routinely
encountered in modern farming. The idea of the English landscape as
'natural' is also explored, as is the fate of the fox who is at
risk of being wiped out by farmers and gamekeepers who now have no
reason to maintain the population.
Closing Time, 50mins
Ditchling campaigns to save the village pub from a commercial
assault that makes a mockery of democracy - and of community. This
is not a unique story. Across the UK, on average, one pub is lost
every day - frequently to commercial development.
Salad Days, 50mins
A village production of Salad Days, the hit musical of 1950's
Britain offers insights of backstage Ditchling. From auditions,
through autumn rehearsals, we observe a series of minor on and off
stage dramas as the Ditchling Players prepare for a week of
performances. This is a film about memory, hope, loss and love. But
is it also an exercise in an updated escapism for a new dark
age?
Looking for Mr Gill,
50mins
This film explores the legacy that Eric Gill, maverick genius of
the Arts and Crafts Movement, has left to Ditchling, the early
twentieth-century setting for his controversial experiment in art
and community. Gill was a hugely talented artist, calligrapher,
sculptor, etcher, letter-cutter, font designer and polemicist and
Ditchling owes much of its international reputation as a centre for
the arts, to Gill and his fellow artist craftsmen.
Ladies of Ditchling,
50mins
A year in the life of Ditchling - told through entertaining and
wide-ranging interviews with a group of remarkable women in their
eighties and nineties - intercut with scenes from village life. We
are offered entertaining and improbably lively insights on life,
loss and love.
Synopsis:
Five documentaries set in and around the ancient East Sussex
village of Ditchling, home to the Series Director Luke Holland.
Ditchling, the archetypal Downland village, just a few miles from
the Sussex coast sees its traditional architecture of brick, flint
and hanging tile, matched by more contemporary materials, as new
buildings re-define Ditchling's ancient boundaries and large
gardens are given over to new housing. The tensions provoked by the
pressures of development are palpable. With a population of just
1600, the village boasts no fewer than 44 societies - including the
world's oldest village horticultural society and a very active film
society. These five films for BBC's Storyville strand take us
beyond the postcard gloss of England's rural idyll.
Going for the Kill,
90mins
Filmed over two years, this is a dramatic, first-person account of
how one family struggles to cope with economic forces they barely
comprehend and over which they have no control. Remarkable access
to the invariably closed and wary hunting fraternity, offers an
unusually frank account of the very traditional English sport of
fox hunting. It tells the inside story of Gary Lee's final season,
offering a graphic account of the hunt and asking whether the law
is not too blunt an instrument with which to curtail a minority
activity that features no more cruelty than is routinely
encountered in modern farming. The idea of the English landscape as
'natural' is also explored, as is the fate of the fox who is at
risk of being wiped out by farmers and gamekeepers who now have no
reason to maintain the population.
Closing Time, 50mins
Ditchling campaigns to save the village pub from a commercial
assault that makes a mockery of democracy - and of community. This
is not a unique story. Across the UK, on average, one pub is lost
every day - frequently to commercial development.
Salad Days, 50mins
A village production of Salad Days, the hit musical of 1950's
Britain offers insights of backstage Ditchling. From auditions,
through autumn rehearsals, we observe a series of minor on and off
stage dramas as the Ditchling Players prepare for a week of
performances. This is a film about memory, hope, loss and love. But
is it also an exercise in an updated escapism for a new dark
age?
Looking for Mr Gill,
50mins
This film explores the legacy that Eric Gill, maverick genius of
the Arts and Crafts Movement, has left to Ditchling, the early
twentieth-century setting for his controversial experiment in art
and community. Gill was a hugely talented artist, calligrapher,
sculptor, etcher, letter-cutter, font designer and polemicist and
Ditchling owes much of its international reputation as a centre for
the arts, to Gill and his fellow artist craftsmen.
Ladies of Ditchling,
50mins
A year in the life of Ditchling - told through entertaining and
wide-ranging interviews with a group of remarkable women in their
eighties and nineties - intercut with scenes from village life. We
are offered entertaining and improbably lively insights on life,
loss and love.