Synopsis:
Robert Vas' first film, Refuge England (1959) centres upon an
immigrant arriving in England from Hungary and who tries to
understand the strange environment and behaviour of its
inhabitants. He arrives in London with no English, little money and
with his only prospect of help an incomplete address written on a
postcard. The director's own experiences - Vas himself came to
London as a refugee in 1956 - give the film an authenticity in its
portrayal of the protagonist's conflicting responses to his new
environment: isolation and wonder, despair and hope. It is also a
unique record of London in the late 1950s, from Waterloo to the
West End to the semi-detached houses of suburbia, seen through the
enquiring and impartial eyes of an outsider. Although the film
includes a narration, the contrast of images and sounds (the noises
of London, Hungarian folk music) is in keeping with the established
Free Cinema style and was included in the Free Cinema 6 programme
at the National Film Theatre by Lindsay Anderson and Karel Reisz
where it received a warm reception and Vas was given another grant
by the BFI to make a second Free Cinema-style short, The Vanishing
Street, three years later.
Synopsis:
Robert Vas' first film, Refuge England (1959) centres upon an
immigrant arriving in England from Hungary and who tries to
understand the strange environment and behaviour of its
inhabitants. He arrives in London with no English, little money and
with his only prospect of help an incomplete address written on a
postcard. The director's own experiences - Vas himself came to
London as a refugee in 1956 - give the film an authenticity in its
portrayal of the protagonist's conflicting responses to his new
environment: isolation and wonder, despair and hope. It is also a
unique record of London in the late 1950s, from Waterloo to the
West End to the semi-detached houses of suburbia, seen through the
enquiring and impartial eyes of an outsider. Although the film
includes a narration, the contrast of images and sounds (the noises
of London, Hungarian folk music) is in keeping with the established
Free Cinema style and was included in the Free Cinema 6 programme
at the National Film Theatre by Lindsay Anderson and Karel Reisz
where it received a warm reception and Vas was given another grant
by the BFI to make a second Free Cinema-style short, The Vanishing
Street, three years later.